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Fujifilm X-Pro 1 sale review, Fujifilm X-Pro1 Camera photos



Fujifilm X-Pro 1 16MP Digital Camera

Fujifilm X-Pro 1 16MP Digital Camera with APS-C X-Trans CMOS Sensor
2012 review by Brian:
I have an X-pro1 with the 35mm/f1.4 lens. (I live in Canada, and ordered it from Japan.)

Here are my overall first impressions:

If I had to sum it up, I'd say it's not perfect, but for me it's the closest thing to the ideal camera that I've found.

THE GOOD

- Image quality is beyond reproach - in terms of colour rendering, highlight/shadow detail, sharpness, quality of the bokeh.
- Feels very solid; excellent build quality
- It looks better in person than in the pictures I had seen of it
- Controls are big and easy to operate, even with gloves on
- Shutter sound is very soft & quiet
- Viewfinder is fantastic

OVERALL PERFORMANCE & SIZE

- In terms of performance, I'll compare it to the Panasonic GF1 /w 20mm pancake, as it's a camera I'm very familiar with. While the camera isn't aimed at exactly the same market, both cameras fit into a similar category - they're both alternatives to DSLRs that aim at providing excellent image quality and handling, with less bulk and weight. And many photographers fell in love with the GF1 / 20mm combo.

- Focus speed: In my experience, the X-Pro1 autofocus speed and reliability is very similar to the the GF1. While I haven't done millisecond timing to compare them, I can say that they feel about the same in autofocus performance. So, while a good DSLR can outperform both cameras for fast action focussing, the autofocus performance is more than adequate for most other types of photography.

- Operational speed: No major issues here - startup time is definitely less than a second, and I haven't even turned on the "quick start" mode. You can shoot quickly, and there's no delay before you can take more shots in either single or burst modes. Again, very similar to the GF1.

- Size and weight: The X-Pro1 is obviously bigger than the GF1. I'd describe it as somewhere between the GF1 and a DSLR in size. In terms of subjective impression, the X-Pro1 isn't quite as small and innocent looking as the GF1. Depending on who you are, this may be a good thing or a bad thing. The GF1 has the edge if you want the camera to be small, discrete and non-intimidating, while the X-Pro1 is a little more substantial in keeping with its professional target market. But what really matters when it comes to always having the camera with you, is its weight. The X-Pro1 manages to feel solid, while not feeling overly heavy. Unlike a DSLR, I wouldn't hesitate to carry the X-Pro1 around all day, although the GF1 still has the edge in portability and ability to tuck it into a jacket pocket. From my brief experience with the X100, I'd put it somewhere between the two in this regard, but closer to the GF1.

- Manual focus: Very similar to the manual focus-by-wire of the GF1 / 20mm combo. It's not ridiculously slow as I've heard the X100 was, but I'd still prefer direct mechanical manual focus.

WHAT COULD BE IMPROVED

- If there's just one thing I'd ask for in a firmware update, it would be a central magnified area to aid manual focus. While you can magnify the whole screen by pressing the "command dial", this is an extra step, and awkwardly takes you away from seeing the overall composition. Panasonic has gotten this right in some of their recent mirrorless cameras. I know some people like Sony's focus peaking, and while that too would do the job, I find it ugly and suspect that Sony's patents might make it hard for Fujifilm to copy this.

- While aperture ring has a great feel to it, actual aperture adjustment lags. This is manifest when viewing the aperture number through the viewfinder while turning the dial, and in terms of actual aperture adjustment in DOF preview mode

- Autofocus, while not loud, also isn't silent as I'd wish it would be.

- There is no option to visually preview exposure when setting shutter speed manually

- I like the film simulation bracketing, as an option to record both a colour and black-and-white version, for easy comparison of black-and-white vs colour shots right off the bat on the computer. This mode allows you to choose which 3 film simulations you want to record, but it has a couple drawbacks. One is that it will always give you 3 versions - no options for just 2 for instance. Also, unlike single or burst mode, the camera locks up and doesn't let you take another shot until it finishes writing.

- Exposure compensation dial does nothing after you've engaged AE lock.

- It would be nice to have some confirmation that the exposure compensation dial is centered. Ideally, there would be something to let you tell physically, perhaps with a bump/indent on the dial, and different feeling to the click when it returns to the 0-location, so that you can confirm without looking. Also, it would be nice if the exposure compensation indicator in the viewfinder changed color when centered, to again let you quicly confirm when it's centered.

- The "command dial" does nothing when in the menus and other situations where it would be nice to have an alternative to pressing the arrow buttons.

Pentacon camera with Zeiss lenses, Pentacon camera

1950's Pentacon camera with Zeiss lenses

Sony SLT A65 photo camera, Sony SLT a-65 pics



  • 24.3Mp APS-C Sensor
  • OLED Viewfinder
  • 3.0" Swivel LCD Screen
  • 1080 HD Movie Capture
  • SteadyShot INSIDE Stabilization

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